#How to burn music to cd from bandcamp full

The album completes Lira’s drift into uncharted territory, after the footwork experiments of Barca’s 2019 debut Blop (though she still has a fondness for that genre’s control of rhythm and release).

#How to burn music to cd from bandcamp full

When her follow-up Burung reaches full speed, it’s like a hummingbird’s wings-an impressionistic blur of motion exuding precision and purpose. Lira, the last album from Buenos Aires producer vic bang, aka Victoria Barca, was named after a songbird, and its rippling rhythms and chirpy melodies felt like walking through an aviary. It is one of the year’s most powerful albums. That answer may be left up to the listener, but the path Limen takes to even reach that question is a journey worth experiencing. An operatic voice appears in the final moments, but it’s hard to tell whether it’s there to offer a glimpse of hope, or simply an elegy. The brief, cathartic centerpiece “Rebirth” burns at the album’s core before setting up “Ruined Abstraction,” a sprawling 21-minute closer whose gentler sonics offer no respite-only images of embers, ruins, and ashes. Through body-shaking blasts of sub-bass, surges of electronic noise, and ghostly slivers of melody, opener “Resurgence” creates a storm of disorienting sound without ever letting you lose sight of its tragic, emotional pull. The pair draw influence from the anime Akira (1988), and just as that classic film sets deep character dynamics against the sprawling backdrop of a global apocalypse, Limen’s three tracks maintain an intimate focus amidst an epic scale. On Limen, their approaches connect like a spark hitting dry brush, leaving hellfire in its wake. Meanwhile, the Paris-based Aho Ssan (aka Niamké Désiré) is best known for building virtual instruments and dense Max/MSP constructions like 2020’s Simulacrum. The Berlin-based Joseph “KMRU” Kamaru’s gorgeous ambient pieces typically begin as field recordings, often taken from his home in Kenya or around other regions of East Africa. Over recent years, both of these sound artists have released defining work while taking very different approaches. Listening to Limen, the cataclysmic debut album from KMRU and Aho Ssan, is like watching something beautiful burn to the ground.

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